Tuesday, September 25, 2018

Review: Tripwire

Tripwire Tripwire by Lee Child
My rating: 2 of 5 stars

“What kind of book is this?” he asked.

I thought about the answer to that a moment.

“What kind of book is this?” he asked again.

There are many ways to respond to that question. I should think about this for a second longer.

“What kind of book is this?” he asked a third time.

It’s the kind of book that has somebody repeating questions a whole bunch of times while other characters ponder things so if you’re already irritated you should probably avoid it.

Ex-military policeman Jack Reacher has been living in Key West where he’s earning a living digging swimming pools, and his idea of a good time is drinking a bunch of mineral water. (No, seriously.) Reacher has no interest in disrupting his quiet routine, but when a private investigator comes around looking for him it kicks off a chain of events which eventually lead Reacher into digging up the secrets of a murderous man in New York City with a dark history that leads back to the Vietnam War.

My experience with this series is weird. I hated the first book, but people I trust told me the series gets much better. Then I saw the Jack Reacher movie and enjoyed it quite a bit so I tried the second book, and it was OK but still didn’t blow my hair back. So here I am trying the third one, and it had about two dozen things that made me roll my eyes. Yet I didn’t absolutely hate it.

I get the appeal of these. The idea of the manliest man to ever walk the face of the earth randomly stumbling into adventures is fun if you like a certain style of action thriller. Child has made big improvements in these early books already like moving from first person to third means that I don’t have Reacher himself telling me how awesome he is on every page. Plus, he’s scaled back the idea that Reacher is a Sherlock Holmes level of detective genius who can make incredible leaps based on the slimmest of clues.

The core story here is pretty good, but as with the first couple of books there’s a constant parade of things that are just so ridiculous or outright stupid that they take me out of the story. One of the biggies is that the main villain in this is a complete cartoon sadist straight out of James Bond with a burned and scarred face as well as a hook used in place of an amputated hand, and it’s so far over the top that it’s hard to take him or the book seriously.

There’s also a very icky subplot where Reacher reconnects with the daughter of his old Army mentor who has recently died. Jodie was a teenage girl, and Reacher was in his mid- twenties when they were around each other back in the day. Yet it becomes very clear that they both had that the hots for each other, and they both still have these old feelings. Child spends a lot of time justifying and rationalizing this plot, and yeah, now they’re both adults and nothing physical happened when she was underage. But it’s just so unnecessary to play it this way.

Why couldn’t Jodie have been in college and Reacher only a few years older when they met and were attracted to each other? Then it’s not an issue at all and makes Reacher far less creepy. (The only thing I can think of is that Child had a Hollywood idea of what a couple in this kind of story looks like, and god forbid we have a lady over thirty hooking up with the hero even though he’s pushing forty himself.)

Another thing is that the book constantly contradicts itself and then goes out of its way to underline that it’s doing so in the most forehead slapping way possible. For example, at one point Reacher thought he knew how some thugs would come after him and Jodie. Yet they use a different tactic which takes him by surprise and almost works. Afterword, Reacher calmly notes that he hadn’t thought about them doing that which was almost a fatal mistake. Yet later in the book when it looks like an assumption that he made was wrong Reacher has a complete meltdown about it where he bemoans the loss of his once perfect record at following his hunches and wonders what he’s supposed to do in life now that his skills have so obviously failed him. So Reacher shrugs off making an error that almost gets them killed, and yet when a blue sky guess he made that has no immediate potential impact looks like it might be wrong he falls apart.

There’s lots more like that, but I’m going to spoiler tag these next few. I’m not giving up the ending, just some things that happen along the way. (view spoiler)

There’s another factor that made me cringe a few times while reading, but this wasn’t Child's fault. The book was published in 1999, and the main villain has an office in the World Trade Center which is where a lot of the action takes place. Plus, at one point Reacher pays cash an airline ticket to New York using a fake name. Those were big reminders that the world was a very different place back then, and while there’s no way Child could have known what was coming it does give the book an uncomfortable vibe at times.

There are other nitpicks to make, but these are the major ones that took what started out as a very solid action thriller/mystery and turned into a hot mess. Child has storytelling skills, and at their best these books are a hoot. But did no editor every look at this and suggest some changes that would tighten up the story and keep him from highlighting the things that don’t make sense? It would have helped a lot.

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Friday, September 21, 2018

Review: The Sisters Brothers

The Sisters Brothers The Sisters Brothers by Patrick deWitt
My rating: 3 of 5 stars

The Sisters who kill together stay together.

Eli Sisters and his older brother Charley are a couple of killers working for the Commodore in 1850s Oregon. Their latest assignment is to journey to San Francisco during the latest gold rush and kill a chemist named Hermann Warm. Along the way they kill some people and Eli learns how to brush his teeth.

I’d been meaning to read this one for years, and the trailer for the movie finally got me off my ass. Unfortunately, I found myself a shade disappointed in it. Which is weird because one of all-time favorite books is Lonesome Dove, another well written and highly acclaimed western filled with sudden violent death as well as casual brutality amidst some humorous moments so this would seem to be right in my wheelhouse.

I think it’s a matter of degrees. There’s plenty of dark stuff in this genre that I love such as the aforementioned Lonesome Dove, Blood Meridian, Clint Eastwood’s Unforgiven, and the HBO series Deadwood. However, there’s other quality things of a similar nature like Bone Tomahawk or The Revenant that for me slide into areas that feel more like misery porn or torture based horror movies. That’s what this one seemed closer to.

So I know it’s good, but it’s just not my cuppa tea.

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Friday, September 14, 2018

Review: Give Me Your Hand

Give Me Your Hand Give Me Your Hand by Megan Abbott
My rating: 4 of 5 stars

She blinded me with science!

Kit Owens is a bright high school girl didn’t think much about her future until she met Diane Fleming when Diane’s dreams of a career in chemistry rub off on her. The two young women become both study buddies and rivals that push each other to excel until Diane confides a dark secret that shatters their friendship. Years later Kit is working in a lab and hoping to score one of the few slots available in a prestigious project when Diane is hired by her boss. Kit struggles to deal with the return of Diane to her life, and the fallout from that has unintended consequences.

Mighty Megan Abbott takes on a lot in this one and delivers on almost all of. What’s most impressive to me is how well she establishes the tone for each aspect. Whether it’s detailing Kit’s life with limited prospects as an underachieving kid in a dead-end town or getting into the nuances of the cutthroat politics hidden under a thin veneer of civility in the lab you completely understand and buy into every bit of it. When Abbott has Kit realizing how close she is to either achieving a critical next step in her career resulting in a vastly improved lifestyle or is about to come up short after all her hard work to get there you know exactly what’s driving her.

At the heart of all it is this complex relationship between Kit and Diane, and that’s where the noir part comes into it. I especially liked the revelations at the end that explain so much of what occurred throughout the rest of the novel.

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Wednesday, September 5, 2018

Review: Cut Me In

Cut Me In Cut Me In by Hunt Collins
My rating: 3 of 5 stars

Literary agent Josh Blake is having a bad day at the office. He’s hungover, one of his secretaries is late, and very pushy aspiring writer won’t take no for an answer. Oh, and he also finds his partner murdered in his office and their most valuable contract that’s about to be worth a fortune in movie rights is missing.

Sounds like somebody has a case of the Mondays!

This is a hard boiled mystery novel that has everything you’d expect from this kind of thing written in the ‘50s. Ed McBain writes up a solid noir character in the jerkish Blake who is more concerned with the missing contract than the dead partner. There’s a suspicious cop, some surprisingly polite thugs, and several gorgeous dames thrown into the mix, and it works well enough as an entertaining story. Good, but not inspired would be my usual judgement on it.

Yet there’s a surprising little bit right at the end that puts a whole new light on everything, and lifts it up a notch. I won’t quite go 4 stars on it, but it’d be an easy 3.5 if Goodreads would let us do that.


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Friday, August 24, 2018

Review: Star Trek: The New Adventures: Volume 3

Star Trek: The New Adventures: Volume 3 Star Trek: The New Adventures: Volume 3 by Mike Johnson
My rating: 3 of 5 stars

I was in the middle of reading this volume when I the news broke that Chris Pine is not going to do the next movie so now I’m left wondering if these comics are the only new stories I’m going to get set in this version of Star Trek. It’s like 1969 all over again! Except I guess I still have Discovery. And this new show that they announced with Patrick Stewart coming back as Picard. OK so it’s not all gloom and doom as far as the future of the Federation goes.

This is another pretty solid volume. It relies less on retelling new versions of the TOS stories, and that makes it more interesting. There’s one decent arc that plays off the fall out of the first two movies that involves Section 31. Then there’s several other shorter side adventures that would all make pretty good episodes like the Enterprise itself being given a humanoid form after an encounter with advanced alien tech. My favorite involves a crossover to an alternate universe in which the entire crew has been gender swapped so that we get to see Captain James T. Kirk meet Captain Jane T. Kirk. (And no, they don’t have sex although I’m pretty sure they were both thinking about it.)

Getting away from just retelling the TOS adventures and building off the alternate timeline helps this a lot, and the writers are coming up with some fun new ideas that feel like Trek stories.


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Monday, August 20, 2018

Review: Some Die Nameless

Some Die Nameless Some Die Nameless by Wallace Stroby
My rating: 4 of 5 stars

What if Rambo and Lois Lane teamed up to take down a bunch of corrupt mercenaries?

OK, that would probably suck. But Wallace Stroby came up with a more realistic story along those lines that’s actually good.

Ray Devlin is a retired soldier-of-fortune living quietly in Florida that gets a visit from an old war buddy. Unfortunately, their reuntion takes a dark turn when that guy tries to murder him, and Ray has to go looking for the reason why. Meanwhile, Tracy Quinn is an investigative reporter Philadelphia  trying to survive lay-offs and fend off the editors who want her to just write click bait articles instead of performing actual journalism. Tracy covers what seems to be a routine homicide, but then her path crosses Devlin as part of the story. When the two start sharing information they begin seeing a pattern with Devlin’s old employer at the center of it all, and digging into the secrets of a company that has trained killers on the payroll is a dangerous game.

I’m a big fan of Stroby’s series about a professional thief Chrissa Stone but hadn’t read any of his other books. After this one I’ll be making more of an effort to track them down because he’s got a knack of mixing thriller elements with a more grounded perspective with real tension to it.

That starts with the two main characters who are at the heart of the novel. Both are well drawn and have a true sense of verisimilitude to them. Devlin really feels like a middle-aged ex-soldier haunted by regrets. While you do get a bad ass vibe from him he’s no action movie killing machine either. Unlike many a bad portrayal of reporters in fiction, Tracy shines as a journalist who loves her job even as it seems to be dissolving around her. There’s a nice attention to detail with the stuff at the newspaper that rings true.

I also enjoyed how Stroby sets up a plot that seems like your standard conspiracy deal at first. However, once it’s rolling he does a pretty sly subversion of not having it go like you expect. There’s a lot of solid surprises and twists here, and it really doesn’t end up where it obviously seems to be going at first. Overall, this is an extremely well written thriller that’s a cut above your standard beach read.

I’ve also had a few brief interactions on social media with Wallace Stroby in the past for good reviews I gave to his Chrissa Stones books, and I was delighted to see that the main bad guy here is named Kemper. I checked with him to see if I was the inspiration for that, and he tried to burst my balloon with a logical story about a last minute character name change with the inspiration probably being seeing the story of serial Ed Kemper on Mindhunter. But I think we all know the truth. Who are you going to believe? Me or the guy who wrote the book?

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Friday, August 3, 2018

Review: The Long and Faraway Gone

The Long and Faraway Gone The Long and Faraway Gone by Lou Berney
My rating: 4 of 5 stars

This book may be the perfect example of a character driven crime story.

In 1986 two major crimes occur in Oklahoma City. A robbery of a movie theater turns into a massacre. A beautiful teenager goes missing while attending a fair. Both events are major news, but as with most things time passes and eventually they’re forgotten. But not by Wyatt and Julianna.
Wyatt was the sole survivor of the movie theater staff, and 25 years later he’s changed his name and moved to Las Vegas where he’s a private investigator doing background checks for casinos.

When a major client ask him to go to Oklahoma City for a case Wyatt is reluctant to revisit his old hometown, but soon finds himself caught up in the memories of that fateful summer. Julianna is still obsessed with learning what happened to her sister, and she desperately latches on to any slim clue that might offer her answers.

This book is a little bit tricky in that its style and tone at first read like a PI novel with Wyatt being a cheerful guy whose style comes across as smart ass even when he doesn’t mean to. His investigation into the harassment of a woman who inherited a bar at first seems like a major plot that you assume will somehow eventually intersect with his and Julianna’s story somehow.

What you eventually realize is that what’s really important here are the parallel stories of Wyatt and Julianna’s trying to deal with the aftermath of what they went through. They took completely different approaches. Wyatt fled his old hometown and has done everything he can not to think about it, but as he revisits his old haunts in OKC the old survivor’s guilt and questions begin to bubble up. Julianna has actively been looking for the truth for over two decades, and her behavior has become obsessive and self-destructive. Even though they’ve taken different paths in dealing with their pain what becomes clear over the course of the story is that the unanswered questions have haunted them all along.

The book didn’t go where I expected at all, and if you’re looking for some kind of thriller where it all dovetails together nicely, you’d probably be disappointed. Instead what we get is a more realistic thing where the two stories intersect in the small random ways that would happen in a small city. Some mysteries are solved, some aren’t, and some new ones arise. The real question here isn’t whether Wyatt and Julianna will ever know exactly what happened and why, it’s if they can ever get over the guilt and grief to get on with their lives.

Also, as a lifelong resident of the Midwest it’s also nice to get a work of fiction that portrays characters from somewhere other than New York or Los Angeles as real people rather than just stereotypical jokes or rubes in flyover country.

Great read, and I’m happy to hear that Lou Berney has a new book coming out this fall. I’ll definitely be checking it out.

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