Tuesday, March 1, 2022

Review: Like a Sister

Like a Sister Like a Sister by Kellye Garrett
My rating: 4 of 5 stars

I received a free advance copy from NetGalley for review.

When a woman’s sister is killed, she’s supposed to do something about it. It doesn’t make any difference what you thought of her. She was your sister, and you’re supposed to do something about it…. OK, so Lena Scott isn’t Sam Spade, but the sentiment remains the same.

Lena is a grad student in New York who has issues with her family. Her father, Mel Pierce, is a bigwig in the music business, but Lena wants nothing to do with him. Lena used to be close with her half-sister Desiree Pierce despite their differences in personality. Lena shuns the spotlight that comes with being Mel’s daughter, but Desiree embraced it to become a minor celebrity thanks to reality TV and her Instagram account. Desiree’s party lifestyle also included the usual bad habits, and after one close call too many, Lena had enough and cut off all contact with her sister.

When Desiree is found dead all indications point to an overdose, but Lena is sure that there’s more to her sister’s death then that. Following a trail of clues from social media as well as her personal knowledge of her sister, Lena starts trying to learn the truth as she deals with cops, music stars, Instagram influencers, reporters, and her own father.

I loved a lot about this one, starting with the character of Lena herself. Naturally she’s got guilt and thinks that maybe she wasn’t there when Desiree needed her. However, she’s also being incredible stoic and refusing to show her grief which she calls “…putting on the Super Black Woman cape” as she keeps a brave face to deal with both the practical matters one has to handle when a loved one dies as well as doggedly chasing any clue about really happened to Desiree.

Through the first-person narration we follow along as Lena seems to set everything aside to bluntly deal with whatever is in front of her in the moment even as we know how torn up she is by all of it. Despite the dark circumstances, Lena can also be a very funny narrator at times with sly observations and a dry wit, and there were several laugh-out-loud lines.

The mystery of is also handled in intriguing fashion. This isn’t a murder that will be solved in the drawing room of an English mansion or the mean streets of New York. Instead, Lena uses her sister’s Instagram account to track Desiree’s activities before she died and figure out who might have the answers she’s looking for as well as using social media to research and track suspects. Trying to find Desiree’s phone becomes a critical piece that Lena desperately wants to find because she knows that her sister’s whole life revolved around the device.

The plot has a lot of twists and turns to it, and I was fooled at several points as to where the book was going. None of the red herrings seem like cheats though, and when all is revealed, you realize that even the misdirects mattered. It’s a solid story that plays fair with its clues and ends in a satisfying fashion.

Kellye Garret did an admirable job of writing a mystery that mixes heart and humor and has a great lead character you can’t help but like. It’s also a solid template for how to do a 21st century whodunit.

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Thursday, February 24, 2022

Review: The Apollo Murders

The Apollo Murders The Apollo Murders by Chris Hadfield
My rating: 2 of 5 stars

In reality, the last manned mission to the moon was America’s Apollo 17, but the jumping off point for this story is that there was actually an Apollo 18 done as a secret military operation. How do you keep a space mission involving thousands of people a secret?

Look, if you’re gonna read this book, you need to stop asking questions like that.

Kaz Zemickis was a test pilot who was also training to be an astronaut when an unfortunate collision between his plane and a seagull leaves him with one eye. Now Kaz is working as a liaison between Washington and the Apollo 18 mission. This is challenging because he’s essentially changing their whole mission plan at the last minute.

Instead of just going to the moon and collecting some rocks, the astronauts need to photograph and hopefully sabotage a Soviet space station equipped with new cameras that will be able to take high resolution spy pictures of the US once it’s manned. Once that’s accomplished, they’re supposed to go to the moon and check out a previously unexplored site that the Soviets are investigating with a lunar rover, and if possible, the astronauts are supposed to sabotage the rover as well. If they can squeeze in a little science in between all this sabotage, scientists have discovered some weird holes in the moon that they’d like checked if possible.

Unfortunately, one of the astronauts dies in a training accident, and must be replaced with a back-up. Meanwhile, the Soviets have made an interesting discovery on the moon with their rover, that they’d very much like to keep to themselves. The Russians also have some leverage over one of the astronauts on Apollo 18.

This book was written by a former test pilot and astronaut who has a ton of experience in space and in working with the Russian space agency. I am NOT a former test pilot and astronaut, but I am a giant space nerd who has checked out a bunch of books and documentaries about manned space flight. I’ve also seen Apollo 13 like 12 times.

So while not an expert like the author, I’d like to think I know a little more than the average bear about the subject, but I wouldn’t presume to say that the author got any of the technical or historical details wrong about this. In fact, per his notes at the end some of the things I thought were insane were true.

What I will question is the basic premise and way this book is structured just from a thriller standpoint. For starters, we’re told from the jump that Apollo 18 is a military mission that is going to be a secret. Yet, we’re never told what that mission was. (Bear in mind that the stuff about the Soviet spy station and rover comes into the picture when they change their mission at the last minute.) The world knows that the US is going back to the moon, but the details of the mission aren't being revealed. Yet, the training seems to be about doing the standard moon stuff of grabbing some rocks, making some observations, taking some samples, setting up some experiments, and trying to get back to Earth without dying. The story tells us that Nixon got funding for another moon launch by using military funding, but we're never told what they were originally going to do that was different from other moon missions.

I also question that NOBODY in this story ever brings up a legal, political, or ethical concern that the US is essentially going into space to sabotage Soviet property. Since this is the Nixon administration making this call, I’m not saying that they wouldn’t try it, but it seems odd that absolutely nobody ever brings up that we’re essentially using a ultra-expensive Apollo mission to commit an act of war.

Also, nobody brings up that they're launching a rocket they told the world would be going to the moon to do secret military things. So when a Soviet space station fails immediately after the US capsule hits orbit, and the a Soviet rover fails right after Apollo astronauts land nearby, it's pretty obvious what happened. Maybe Russia couldn't prove it, but it would certainly cause accusations to be made and an international incident.

The next part is where it really gets messy, but I’ll keep it vague to avoid spoilers. Let’s just say that things don’t go well when Apollo 18 tries to sabotage the Soviet station, and there is absolute chaos for a few minutes as well a high probability that the space capsule has been damaged. A bunch of other shit has gone wrong as well, but despite it all, the astronauts go ahead and hit the Go-To-The-Moon button to do their burn for lunar orbit. Even when NASA gets involved again, they learn that the capsule has so many issues that it makes the Apollo 13 mission look like a cakewalk by comparison.

And yet they still decide to land on the fucking moon rather than just orbiting once and coming back immediately!

There’s a lot more that happens and other than the technical details, most of it seems so outlandish that it’s impossible to take any of it seriously. Plus, much like most action movies these days the ending seems way to long and drawn out with even more utterly unbelievable twists and turns with a bunch of events occurring that would most likely result in the US and Soviet Union immediately launching nukes at each other. There’s also some blatant sequel set-up that makes me pretty sure that the author plans for this to be some kind of Tom Clancy style thrillers using spaceflight as the hook with the Kaz character acting as Jack Ryan.

I should be the kind of reader who would go nuts for a historical-fiction/alt-history/conspiracy-thriller/set-in-space kind of book, and I was more than willing to go along with some of it at first. But there’s just too much of everything in this. Too many characters, too much detail, too many plot twists, too many outlandish events, etc. It’s all just too much for me to suspend disbelief and roll with it, and that’s what this kind of story needs for it to really work.

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Review: The Hunting Party

The Hunting Party The Hunting Party by Lucy Foley
My rating: 3 of 5 stars

What if there was an Agatha Christie style mystery, but without a Hercule Poroit or Miss Marple style character around to solve it?

A group of people in their 30s have been friends since their days at Oxford, and one of their traditions is having an annual get together over the New Year holiday. This year they go to an exclusive and remote Scottish hunting lodge. As a huge snowstorm moves in and cuts them off from the rest of the world, one of them is found dead. It’s obviously murder, and the list of suspects isn’t long.

This is a pretty standard set-up, but as I said at the start, the interesting thing is that there’s nobody really playing detective here. Instead the plot is unraveled via a series of shifting perspectives that also jump around in time from the trip to the lodge until the day after the murder. Slowly we start to get the whole picture of how this group is filled with secrets, old grudges, and several reasons not to trust each other. There’s also a few other people around like the strange couple from Finland, the manager of the lodge who has fled to this job as a way of not dealing with a recent tragic loss she’s suffered, and the surly gamekeeper who is a combat veteran suffering from PTSD which has left him with a hair trigger temper. So the suspect pool isn’t just limited to the Oxford buddies.

The structure of it is really the star of the show with author Lucy Foley doing a very good job of providing different voices to several characters who become the ones guiding us through the current story and histories. She pulls off several tricky things such as keeping the identity of the victim a secret for a good chunk of a book without seeming clunky so for a while we’re not ever sure who might be dead and who might be the killer. There’s a lot of red herrings in the mix which are necessary for a book like this although there are a few too many. However, none seem obvious, and it helps keep the reader from guessing which way the plot is going for a good long while.

The ending plays fair and has a satisfying answer, but again, there’s just a bit too much to all of it. I also had a big problem with the aftermath detailed in an extended epilogue in which the author seems to forget a couple of huge things from the climatic moment of the story when wrapping it all up.

Still, it’s a really solid mystery with some good character work. I’d give it 3 and half stars if I could, but…..you know. I also listened to the Audible version which had some great narrators doing various parts.

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Monday, January 31, 2022

Review: Secret Identity

Secret Identity Secret Identity by Alex Segura
My rating: 4 of 5 stars

I won a free advance copy of this from the publisher.

It’s hard to believe these days when multiple blockbuster movies and popular TV shows are based on superheroes, but there have been several times over the years when it looked like the comic book industry was swirling the drain.

1975 was such a time, but that hasn’t stopped Carmen Valdez from pursuing her dream of being a comic book writer in New York. Unfortunately, the closest she’s come so far is working as a secretary for the publisher of struggling Triumph Comics, and her boss has made it clear that he’d rather buy work from washed up male writers then give a young woman a chance. When a friendly colleague named Harvey asks her to help him come up with a new hero to meet a deadline, Carmen works with him to quickly develop a female superhero they call the Lethal Lynx. Harvey promises that if the publisher likes the new character he’ll give Carmen her share of the credit.

However, Carmen is shocked to learn that Harvey misled her and submitted several scripts she primarily wrote under his own name. Before Carmen can confront Harvey about this, the young man is murdered, and Carmen can only watch helplessly as the character she’s created becomes popular and is handed off to hacks. There’s a suspicious police detective who thinks Carmen knows more than she’s saying and another personal problem when a former friend she has a complicated history with shows up in New York. Eventually, Carmen thinks the key to figuring out who murdered Harvey and proving that she co-created the Lynx lies in Harvey’s shady history in the industry.

I started reading comic books as a kid in the ‘70s, and I’m a fan of the mystery crime genre so no surprise that this book hooked me immediately. This feels like an authentic look at the comic book scene of the ‘70s, and the vibe that this is a grungy subset of publishing that isn’t respected, even by most of the people working in it. Alex Segura has worked in comics so the details feel right, and the references all come across as part of the detailed background rather than cheap wink-and-nudge references to make fanboys giggle.

There’s also a cool feature with actual comic book pages featuring Carmen’s Lynx stories scattered throughout the book, and artist Sandy Jarrell does a great job of making these panels have a cool ‘70s style. If they actually wrote and published a Lethal Lynx comic book, I’d be very interested in reading it.

The thing that really makes the whole book work is Carmen as a character. She’s the daughter of Cuban immigrants, a woman trying to break into an all male industry, and she’s got another big secret that makes her feel like an outsider. All of these factors drew Carmen to comic book superheroes in the first place, but she’s also just a fan as well as a writer with a natural instinct for what makes a compelling character. This is as much a story about a young woman struggling to make her dreams come true as it is a murder mystery, and I very much cared about what happens with Carmen. Since it's well known how various comic book creators were cheated out of credit and money over the years, I was sometimes more worried that Carmen might never get her rightful recognition than I was that she wouldn’t find the killer.

It’s a quality mystery novel as well as a love letter to comic books, but even if you don’t care about superheroes, I think a lot of people would find the story of a young woman trying to become who she’s meant to be in ‘70s New York enjoyable as well.


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Review: Leviathan Falls

Leviathan Falls Leviathan Falls by James S.A. Corey
My rating: 5 of 5 stars

How do you write a review of the last one of a nine book series without spoiling the entire thing in the process?

Very carefully.

So here we are at the end of all things, and I’m not just talking about the finale of this story. While people continue to battle among the stars, a far more dangerous enemy has been awakened and seemingly won’t rest until humanity has been wiped out. There might be a way to fight back, but it would essentially mean destroying the human race to save it. At the heart of it all are the surviving characters that fans of this series have come to know and love, but what’s left of the crew members of the Rocinante are not what they used to be. Age, violence, regrets, and grief have all taken a toll, and even the ship itself is long past it’s prime. Despite it all, nobody is ready to give up and die just yet.

This series hooked me with the first book, and it’s been a franchise that never let me down. New books appeared regularly, and each one pushed what started as a space opera mixed with a conspiracy story into a sprawling epic that got deeper and richer as it progressed. It always had the beep-boops and cool pew-pew space war stuff mixed with politics and espionage that any nerd could appreciate, and the plots were also clever, tense, and intriguing.

While that stuff always worked, what really made this shine was that it was about people. Not perfect people, that’s for sure. Our heroes had their fair share of flaws, and there’s a cynical streak to this story that feels more true every day. Almost nobody can set aside their own agendas and old grudges to take the long view and realize that there were bigger things at stake. At one point in this latest one, there’s a declaration that “Optimism is for assholes.” And considering the last couple of years, I don’t think I’ve ever nodded more at a line in a book.

Still, while The Expanse never felt like a shiny Star Trek style future, it also didn’t feel entirely hopeless. There were times when good people came through in big ways, and even a few points when total jerks had moments of clarity. No, it wouldn’t last, but it felt like enough hope that humanity might just stumble through whatever catastrophes it creates for itself. Through it all, we had a core group of characters, and as happens in the best of fiction, they all came alive for me.

I also appreciate that the authors who make up the James SA Corey name have been very clear about this being it. There will not be any spin-offs, prequels, or anything else done by them with this franchise other than the books and handful of short stories they wrote. It’s rare to read a story these days that feels completed, and that’s what this is.

They didn’t just finish the story, they finished it well.


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Wednesday, January 19, 2022

Review: Five Decembers

Five Decembers Five Decembers by James Kestrel
My rating: 4 of 5 stars

Heads up! This one goes on sale today. Don't miss it.

I received a free advance copy of this from the author.

It’s a Hard Case Crime novel set in Hawaii just weeks before the infamous Pearl Harbor attack occurs on December 7, 1941. I pretty much feel like that’s all I need to say to convince people to check it out.

But fine, if you want to know a little more, then keep reading…

Joe McGrady is a police detective in Honolulu who is called to a gruesome double murder. Things get complicated when one of the victims turns out to be a relative of a prominent Navy admiral and the other is a young Japanese woman. With tensions high, Joe’s boss just wants the case solved as quickly and quietly as possible, and McGrady ends up hot on the trail of the killer across the Pacific. However, the outbreak of World War II derails the investigation as well as Joe’s life.

This is one of those books that’s tricky to review because I don’t want to say much more about the plot because it takes some surprising twists that end up being the best part of the of the story. So I don’t want to spoil those, but then I can’t really dig into some of the particulars.

What I can say is that this is a novel built on making readers feel like they’re in a particular time and place, and James Kestrel does a superior job of that. From describing the streets and people of Honolulu in 1941 to several other locations, you get all of the atmosphere without it feeling like a bunch of regurgitated facts from a history class.

The plotting is also very well done as it mixes the realistic grind of detective work with some of the historical details of the setting. For example, one clue revolves around how there were no Packard dealerships in Hawaii at the time so that type of car was very rare on the islands, but trying to track down a particular one means spending hours reviewing car registration records. There’s a lot of great procedural bits about trying to track down a killer in the era before computer databases and modern forensics. Even the methods of communication play a part with cables being a key element to how things unfold.

Character work is another strong element with Joe McGrady being the kind of complex figure you want at the center of this kind of story. As an ex-soldier with no family to speak of, Joe is a loner who didn’t grow up in Hawaii so he’s seen as an outsider even by his fellow cops, and it’s evident from the start that he’s not entirely trusted by them. The feeling goes both ways as Joe deals with the agenda of his boss and others. His one real connection is his growing feelings towards the woman he’s been seeing, Molly.

The story also plays off the readers knowing that World War II is about to start to good effect. Kestrel drops a few well-placed ominous hints that foreshadow that the whole world is about to go sideways even as Joe is hoping to get the case wrapped up in time to spend a romantic Christmas with Molly. It makes the whole thing one of those books where you’re tensed up the entire time, and just wish that you could warn everyone in it what’s coming.

It’s a fantastic crime novel that takes the classic tale of a determined detective hunting a killer and turns it into the tragedy of one man who gets caught up in epic historical events.

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Tuesday, January 4, 2022

Review: Robert B. Parker's Bye Bye Baby

Robert B. Parker's Bye Bye Baby Robert B. Parker's Bye Bye Baby by Ace Atkins
My rating: 5 of 5 stars

I received a free advance copy of this from NetGalley for review.

This is a real good news/bad news situation. The good news is that this is probably the best Spenser book that Ace Atkins has written yet. The bad news is that it’s the last one he’s doing. *sigh* Let’s focus on the good news for the moment.

Carolina Garcia-Ramirez won a stunning upset in a Congressional race, but while her outspoken support of progressive policies has made her a new hero for the left, the right wingers hate her guts and aren’t shy about saying so. When some of the threats seem to be more serious than the typical social media bile, Spenser is hired to provide protection and do some sleuthing to see if someone in CGR’s inner circle might be a mole. It doesn’t take long before Spenser finds clues indicating that a white supremacy group is plotting against CGR. As usual, Spenser turns to Hawk for help, but this time Hawk has a favor to ask in return. He wants Spenser to track down a woman he hasn’t heard from in years.

So obviously this one was inspired by a real person and the reactions to her, and that’s a little tricky because Spenser has always been extremely apolitical. That hasn’t changed with Atkins writing it so that while Spenser admires CGR for several reasons, that’s on a human level, not a political one. Spenser also won’t abide racism so making the bad guys a bunch of white power assholes means that this is still a straightforward good guy vs. bad guys story with a few ripped-from-the-headlines elements instead of the book feeling like a political manifesto even as Atkins uses the opportunity to highlight how the worst of the worst have felt free to really be themselves these days.

All of that made for a compelling plot, but where this one really crackles is with the very Spenser-ness of it all. The dialogue and banter is quick, clever, and frequently funny. The action is sharp, especially in a climatic scene. Some Spenser history comes up. Some delicious sounding food is consumed, and some booze gets drank. There’s still dates with Susan, work-outs with Hawk, and a dog named Pearl.

The Hawk sub-plot of him asking Spenser to find a woman was an interesting wrinkle in all this. Atkins had cracked the door open a little on Hawk. Not so much that it gave away too much about a character, who is cool precisely because of the mystery about him, but just enough that it made him feel fresh and even a little more dangerous. What comes out of that is another piece to a great book.

Maybe it’s because I knew that this was the last Spenser that Atkins is doing, but it all seemed extra sharp to me this time. I hated to finish this one because it meant that something I’ve very much enjoyed for ten years now is coming to an end. As swan songs go, this is a great one, and hopefully whoever takes over Spenser next can do half as well.

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